archivum | Jeremy P. Bushnell

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DISEMBODYING WOMEN: PERSPECTIVES ON PREGNANCY AND THE UNBORN

DISEMBODYING WOMEN: PERSPECTIVES ON PREGNANCY AND THE UNBORN

short bluesky summary ⌘ Duden is interested in three things: how it feels

1/22-1/27

1/22-1/27

Michelangelo Antonioni's L'ECLISSE // Michelangelo Antonioni's LA NOTTE // Tony Ching Siu-Tung's A CHINESE GHOST STORY // Park Chan-Wook's NO OTHER CHOICE //

1/11-1/20

1/11-1/20

Michelangelo Antonioni's L'AVVENTURA // George Hickenlooper's HEARTS OF DARKNESS: A FILMMAKER'S APOCALYPSE // Werner Herzog's FITZCARRALDO // Chris Smith's AMERICAN MOVIE //

1/3-1/8

1/3-1/8

Kleber Mendonça Filho's THE SECRET AGENT // Hirozaku Kore-Eda's AFTER LIFE // Cattet & Forzani's REFLECTION IN A DEAD DIAMOND // Zach Cregger's WEAPONS

01.04.26

two mail art postcards available for third-party creative remixing under the terms

Notebook from December

Notebook from December

Notes on "gorp jazz," Giorgio Agamben, Enlightenment racism, plus more notes from David Graeber and David Wengrow

12/24-12/30

12/24-12/30

Rian Johnson's WAKE UP DEAD MAN // Neil Marshall's THE DESCENT // Mike Flanagan's THE LIFE OF CHUCK // Brian Henson's THE MUPPET CHRISTMAS CAROL

12.24.25 [2]

available for third-party creative remixing under the terms of this license subscribe

12.24.25 [1]

available for third-party creative remixing under the terms of this license subscribe

12/11-12/20

12/11-12/20

Rian Johnson's GLASS ONION // Guillermo del Toro's FRANKENSTEIN // Joel Anderson's LAKE MUNGO // P. T. Anderson's MAGNOLIA

HOW TO TELL WHEN WE WILL DIE

HOW TO TELL WHEN WE WILL DIE

Notes (oldest to newest) 1. Privilege and sociality 2. Patients as producers

12.13.25 [2]

available for third-party creative remixing under the terms of this license subscribe