DISEMBODYING WOMEN: PERSPECTIVES ON PREGNANCY AND THE UNBORN
short bluesky summary
⌘ Duden is interested in three things: how it feels
1/22-1/27
Michelangelo Antonioni's L'ECLISSE // Michelangelo Antonioni's LA NOTTE // Tony Ching Siu-Tung's A CHINESE GHOST STORY // Park Chan-Wook's NO OTHER CHOICE //
1/11-1/20
Michelangelo Antonioni's L'AVVENTURA //
George Hickenlooper's HEARTS OF DARKNESS: A FILMMAKER'S APOCALYPSE //
Werner Herzog's FITZCARRALDO //
Chris Smith's AMERICAN MOVIE //
1/3-1/8
Kleber Mendonça Filho's THE SECRET AGENT //
Hirozaku Kore-Eda's AFTER LIFE //
Cattet & Forzani's REFLECTION IN A DEAD DIAMOND //
Zach Cregger's WEAPONS
01.04.26
two mail art postcards
available for third-party creative remixing under the terms
Notebook from December
Notes on "gorp jazz," Giorgio Agamben, Enlightenment racism, plus more notes from David Graeber and David Wengrow
2025 Top Ten(-ish) List
Here are my top-ten-ish 2025 albums, arranged more-or-less alphabetically, plus another dozen or so honorable mentions.
12/24-12/30
Rian Johnson's WAKE UP DEAD MAN // Neil Marshall's THE DESCENT // Mike Flanagan's THE LIFE OF CHUCK // Brian Henson's THE MUPPET CHRISTMAS CAROL
12.24.25 [2]
available for third-party creative remixing under the terms of this license
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12.24.25 [1]
available for third-party creative remixing under the terms of this license
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12/11-12/20
Rian Johnson's GLASS ONION // Guillermo del Toro's FRANKENSTEIN // Joel Anderson's LAKE MUNGO // P. T. Anderson's MAGNOLIA