viewing

Mark Mylod's THE MENU // Abel Ferrara's NEW ROSE HOTEL // Howard Hawks' HIS GIRL FRIDAY // Ruben Östlund's TRIANGLE OF SADNESS //

Michelangelo Antonioni's L'ECLISSE // Michelangelo Antonioni's LA NOTTE // Tony Ching Siu-Tung's A CHINESE GHOST STORY // Park Chan-Wook's NO OTHER CHOICE //

Michelangelo Antonioni's L'AVVENTURA // George Hickenlooper's HEARTS OF DARKNESS: A FILMMAKER'S APOCALYPSE // Werner Herzog's FITZCARRALDO // Chris Smith's AMERICAN MOVIE //

Kleber Mendonça Filho's THE SECRET AGENT // Hirozaku Kore-Eda's AFTER LIFE // Cattet & Forzani's REFLECTION IN A DEAD DIAMOND // Zach Cregger's WEAPONS

Rian Johnson's WAKE UP DEAD MAN // Neil Marshall's THE DESCENT // Mike Flanagan's THE LIFE OF CHUCK // Brian Henson's THE MUPPET CHRISTMAS CAROL

Rian Johnson's GLASS ONION // Guillermo del Toro's FRANKENSTEIN // Joel Anderson's LAKE MUNGO // P. T. Anderson's MAGNOLIA

Jaume Balagueró & Paco Plaza's [REC] // Errol Morris's GATES OF HEAVEN // Alex Stapleton's CORMAN'S WORLD // Vincente Minnelli's THE BAD AND THE BEAUTIFUL //

Guy Maddin's KEYHOLE // Clint Bentley's TRAIN DREAMS // Daniel Goldhaber's HOW TO BLOW UP A PIPELINE // Alan J. Pakula's ALL THE PRESIDENT'S MEN //

John Carpenter's THE THING // Stephen Soderbergh's BLACK BAG // Brian Vidal & Alex Haughey's PRODIGY // Robert Altman's THE PLAYER

Yorgos Lanthimos' POOR THINGS // John Carpenter's IN THE MOUTH OF MADNESS // Adam Wingard's YOU'RE NEXT // Aaron Fradkin's BEEZEL

Amy Seimetz's SHE DIES TOMORROW // Kelly Reichardt's THE MASTERMIND // Allan J. Pakula's THE PARALLAX VIEW // William Friedkin's BUG

Amanda Kramer's GIVE ME PITY // Robbie Banfinch's THE OUTWATERS // David Prior's AM1200 (short) // Christian Turner's WHAT HAPPENS TO THE MOUNTAIN (short)