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Yorgos Lanthimos' POOR THINGS // John Carpenter's IN THE MOUTH OF MADNESS // Adam Wingard's YOU'RE NEXT // Aaron Fradkin's BEEZEL

Amy Seimetz's SHE DIES TOMORROW // Kelly Reichardt's THE MASTERMIND // Allan J. Pakula's THE PARALLAX VIEW // William Friedkin's BUG

Amanda Kramer's GIVE ME PITY // Robbie Banfinch's THE OUTWATERS // David Prior's AM1200 (short) // Christian Turner's WHAT HAPPENS TO THE MOUNTAIN (short)

Takashi Ito's SPACY (short) // Jacob Gentry's BROADCAST SIGNAL INTRUSION // Quentin Tarantino's INGLORIOUS BASTERDS // Drew Hancock's COMPANION //

Wim Wenders' PERFECT DAYS // John Carpenter's THEY LIVE // Julien Maury & Alexandre Bustillo's INSIDE // John Carpenter's PRINCE OF DARKNESS //

Allan Pakula's KLUTE // P. T. Anderson's ONE BATTLE AFTER ANOTHER // Steven Soderbergh's BLACK BAG // Andrew DeYoung's FRIENDSHIP

Robert Altman's NASHVILLE // George Armitage's GROSSE POINTE BLANK // Joachim Trier's THE WORST PERSON IN THE WORLD // James Gunn's SUPERMAN

George Miller's THREE THOUSAND YEARS OF LONGING // Steven Soderbergh's THE LIMEY // The Quay Brothers' SANATORIUM UNDER THE SIGN OF THE HOURGLASS // Alex Scharfman's DEATH OF A UNICORN

Bill Watterson's DAVE MADE A MAZE // David Mackenzie's RELAY // James Hawes' THE AMATEUR // Ilya Naishuller's NOBODY

Zach Cregger's WEAPONS // Jean-Paul Jeunet's ALIEN RESURRECTION // Anthony Minghella's THE TALENTED MR RIPLEY // Danny & Michael Philippou's TALK TO ME //

Joaquim Dos Santos, Kemp Powers,  & Justin K. Thompson's ACROSS THE SPIDER-VERSE // Bong Joon Ho's MICKEY 17 // Viktor Kossakovsky's ARCHITECTON // Jem Cohen's LITTLE, BIG, AND FAR //

Michael Haneke's THE WHITE RIBBON // Jessica Beshir's FAYA DAYI // Payal Kapadia's ALL WE IMAGINE AS LIGHT // Wim Wenders' PERFECT DAYS //