Notebook from January

[Oldest to newest]

1. Contact: Art and the Pull of Print

2. "Warlike, Howling, Pure"

3. Michele Audin's "One Hundred Twenty-One Days"

4. Chicago label Mages Guild

5. Lucas Baisch's "Language as Trash"

6. James Hoff's "Shadows Lifted from Invisible Hands"

7. "Inadvertent"

8. Married happiness in retirement

9. Still House Plants

10. Artists recommended by ilusion_collage

11. Saada Bonaire

12. Wladimiro Tulli

13. Commercial zine printers around the world

14. "Daybook," Anne Truitt's journals

15. Bhanu Pratap's "Dear Mother and Other Stories"

16. AurisApothecary

17. Roy Werner's "Imagine My Surprise"

18. ZERO, by Kanding Ray

19. Vajra Chandrasekera on "the culture of helping" and ignoring the big picture

20. Tristwch Y Fenywod

21. The decline of news

22. Margo Jefferson's "Constructing A Nervous System"

23. Son Of (Sam Prekop and John McEntire)

24. Brandon Graham's "Surviving on Mars"

25. Equipment Pointed Ankh

26. Robert Kagan's "Rebellion"

27. Fergus NM and "A Thousand Years"

28. Contemporary books on the problem of free will

29. "Vice signaling"

30. David Maurer's "The Big Con"

31. B. Ingrid Olson

32. Possible Sonos alternatives for home sound systems33. Wolfbound Books

34. Secret Room, Portland

35. Saints and Sand

36. "The Power Fantasy"

37. Elena Gorfinkel's "Against Lists"

38. Russell Davies' "Do Interesting"

39. The Agrarian Studies Series

40. Li Yiyei

41. DjRUM

42. Lego letterpress

43. Cristian Castelo's Bonding

44. Gossip Göre's "10 comics to know me"

45. Detroit's "The Good News"

46. Bibliography for "artistic research" and related topics

47. Jeremiah Chu

48. Know-what, know-how, and know-why

49. Trio Ramberget's "Drone Positions"

50. "Writing for Busy Readers"

51. Into the Odd / Electric Bastionland

52. Alison Rumfitt's "Brainwyrms"

53. The third season of "Farscape"

54. Landon Caldwell

55. Michael Vincent Waller

56. The Hudson Prize

57. Armbruster

58. All labor is study of the divine

59. Sweet Trip

60. Zero Landmass Institute

61. "Children Drawing Rainbows"

62. Dame Area

63. "Walking"

64. Raphael Roginski

65. Meredith Monk's "Dolmen Music"

66. The "phenomenal totality"

67. Woolf on rhythm

68. The Presocratic enterprise

69. Margaret Cavendish, sociability and inquiry

70. Cavendish, Woolf, and vitality

71. A Natural History of Empty Lots

72. feeo

73. Black Doves

74. Franciscan poverty

75. Simone Weil and the "question of time"

76. Bewilderment

77. The poetry of the unlocatable and hidden

78. Martin Buber and the "unbroken"

79. The maze and the spiral

80. Bewilderment and sound in the lyric poem

81. The politics of bewilderment

82. The virtue of itinerancy

83. Confrontations with intentionality

84. "Asylum seekers are not criminals"

85. Trump's child separation policy

86. Convention on the Rights of the Child

87. Trump and the Posse Comitatus Act of 1878

88. Trump and the Alien Enemies Act of 1798

89. Contesting organizational language

90. Improvisation and the derive

91. Bruce Russell on collaboration

92. Music's Empty Quarter

93. The noise "superset"

94. Free music, 1965-1973

95. Amplified free music vs unamplified free music

96. Russell on "harmonically organized music"

97. Cognitive offloading

98. The Alexander Technique

99. Music and time

100. Improvisation as play

101. The blues and sound recording technology

102. The blues and cultural conservation

103. Cultural time

104. "Genuinely autonomous cultural traditions"

105. Eve Kosofky Sedgwick on texture

106. Russell on "process-driven" art

107. Jacob Kierkegaard’s SNOWBLIND [x]

108. A human and an object

109. Etienne Nillesen’s “en”

110. Enso: On the withered tree a flower blooms

111. Laura Quinney's "Stumbling and Other Poems"

112. The central paradox of closed borders

113. Migrant smuggling bibliography

114. Criminalizing human movement

115. "Your Art Will Save Your Life"

116. Poets as mosaicists

117. Maureen N. McLane's "My Poets"

118. Allen Fisher's "Place"

119. Charles Bernstein's "A Poetics"

120. The erosion of institutions

121. Martin Wolf and "ethical elites"

122. "Demagogic authoritarian capitalism"

123. Linnea Sterte's "World Heist"

124. "Suffusions of context"

125. Oppen and "the clearing"

126. Heidegger and boredom

127. Opinions founded on facts are errors

128. Neutral eighteenth-century prose

129. The "Imagist program"

130. Reverdy's theory of the image

131. Pierre Reverdy

132. Louis Zukofsky's "An Objective"

133. Oppen and "the substantive"

134. "Indexicality"

135. Indexical signs and photography

136. C. S. Peirce on time

137. Lyn Hejinian on adolescence

138. Sartre on reality

139. Oppen's "contingency"

140. Oppen's daybooks

141. The "mineral fact"

142. The aesthetic response to the mineral fact

143. More on Zukofsky's "sincerity"

144. Sam Barlow

145. Critics of the after times

146. Baldwin on identity

147. Photographers who are also writers

148. What photos can't do (and writing can)

149. The changing presentation of photography

150. Larry Eigner: writing poetry gets easier

151. Watten on Eigner

152. Writing, free association, and the thinking process

153. Watten on Carla Harryman

154. Watten on Kit Robinson

155. Transgressive writers and publishers

156. Russell Hoban's "Riddley Walker"

157. Veronica Forrest-Thomson's "Poetic Artifice"

158. Bernstein on the "experiential" analysis of poetry

159. Total image-complex / total meaning complex

160. How meaning occurs