Wednesday Investigations: Station Identification
A project nears its end
Jeremy P. Bushnell
![Wednesday Investigations [2:11]: Glenn McDonald](/content/images/size/w960/2025/04/glenn-mcdonald.jpeg)
Wednesday Investigations [2:11]: Glenn McDonald
Discussing the information space of recorded sound with Spotify's former data alchemist
![Wednesday Investigations [2:10]: Maya Weeks](/content/images/size/w960/2025/04/Maya-Weeks.jpeg)
Wednesday Investigations [2:10]: Maya Weeks
Discussed: poems, parataxis, pollution, photos of seaweed
![Wednesday Investigations [2:9]: Stella Silbert](/content/images/size/w960/2025/04/Stella-Silbert.jpg)
Wednesday Investigations [2:9]: Stella Silbert
"a feedback loop with a turntable in the middle of it"
Wednesday Investigations Intermission: Where I've been and what I've been up to
A new novel, a crowdfunding campaign, and a risograph machine
Wednesday Investigations [2:8]: Diabolical houses and invisible archives
On a record label in Finland, an isolated island in the Baltic Sea, and an apartment building in Poland
Wednesday Investigations [2:7]: Inarticulate, disorderly, and magnificent
The sublime, the abject, Chicago noise music, and 18,000 stuffed animals
Wednesday Investigations [2:6]: Dungeons, structures, and neighborhoods
On resolving, exploring, drawing, and walking
Wednesday Investigations [2:5]: Brand new // you're retro
Looking forward to 2023; looking back to 1981, 1972, and 1966
Wednesday Investigations [2:4]: Horror, comedy, experimentalism, and canonicity
On the 2022 Sight and Sound list
Wednesday Investigations [2:3]: As close to a gift guide as I may ever write
On the end of Web 2.0, and some 2022 releases from Nonmachinable
Wednesday Investigations [2:2]: Human action and the ending of things
On Everest Pipkin and the "World Ending Game"