Lyn Hejinian's ALLEGORICAL MOMENTS

Notes [oldest to newest]

1. Frederic Jameson on ideology

2. Negotiating contexts

3. Hejinian on everyday life

4. Hejinian's radical allegory

5. Hejinian on meaning and its "discontinuity"

6. Hejinian's "digressive mode"

7. Angus Fletcher's critique of allegory

8. More on kairos

9. Jameson's "modern allegory"

10. The dialectical image and the thwarted utopia

11. Benjamin's "On the Theory of Knowledge, Theory of Progress"

12. Ernst Bloch on utopia

13. Putting it all in vs leaving it all out

14. Works of "capacious inclusivity"

15. Barrett Watten's "Mode Z"

16. Charles Altieri on "the sense of a whole"

17. Accumulations of unrelated stuff

18. Lyn Hejinian on the imagination

19. The "contextualizing charge" of things

20. Hejinian on the "reality effects" of time

21. Kairos and rhetoric

22. Kairos and memory

23. Chronos and kairos

24. Relationships and events in Stein

25. The good person and the good life

26. 1883: Nationally applicable time standards

27. "Composition as Explanation"

28. Everyday life and chance

29. Stein's typologies

30. "There is no repetition"

31. Adorno's "non-identity"

32. "Nonredundant reiteration" in Stein

33. Curation and editorial work (in poetry)

34. THIS journal

35. The "phenomenal totality"

36. Woolf on rhythm

37. The Presocratic enterprise

38. Margaret Cavendish, sociability and inquiry

39. Cavendish, Woolf, and vitality

40. "Suffusions of context"

41. Oppen and "the clearing"

42. Opinions founded on facts are errors

43. Heidegger and boredom

44. Neutral eighteenth-century prose

45. The "Imagist program"

46. Louis Zukofsky's "An Objective"

47. Oppen and "the substantive"

48. C. S. Peirce on time

49. Lyn Hejinian on adolescence

50. Sartre on reality

51. Oppen's "contingency"

52. Oppen's daybooks

53. The "mineral fact"

54. The aesthetic response to the mineral fact

55. More on Zukofsky's "sincerity"

56. Subjectivity in "My Life"

57. Subjectivity is allegorical

58. "The excluded are within"

59. America and the other

60. The cultural presence of nationalism

61. Change, in Leslie Scalapino

62. The pleasure of seeing and the phenomenal field

63. Civilization and "the landscape"

64. Hejinian on "existing"

65. "True existence" vs "conventional existence"

66. Works of despair (and hope)

67. Suffering in Scalapino

68. "Continual conceptual rebellion"

69. The word "as"

70. Systems, networks, coherence, unity

71. Mistakes of knowledge

72. Camus' abyss

73. "To live means to leave traces"

74. Hypersignification / oversignification

75. Allegory and meaning

76. Hejinian on our current crises

77. Poetry and the social

78. David Buukck & Juliana Spahr's "Army of Lovers"

79. Lyrical confession vs formal complexity

80. Signifying and information

81. Fragmented units and syntactic turbulence

82. "Indexicality"

83. The hypertextual poem

84. Poems as "invitation to subjectivity"

85. Poetry as "privacy overheard"

86. Not rhythm but thought

87. Language, incipience, and subjectivity

88. Art vs seriousness

89. Language and public life

90. "Affect"

91. Hejinian on happiness

92. Watten's "radical particularity"

93. "The device in the rug"

94. Morton Feldman's "Crippled Symmetry"

95. Hejinian on Watten

96. The artist and the "extinction of personality"

97. Fascist history

98. "This"

99. Poetics Journal

100. T. S. Eliot's "The Criterion"

101. Hejinian on the zeitgeist

102. "Wild captioning"

103. Art, the microcosmic, and the macrocosmic

104. de Certeau's "everyday life" thought experiment

105. Relations between moments

106. Reconfiguring spatial resources

107. Barrett Watten's "Under Erasure"