IN A VIOLENT NATURE (2024)
The brief: make an old-school slasher film of the “hulking killer
Jeremy P. Bushnell
notebook from june
Notes on Ray Johnson, postal networks, signficant RPGs, material culture, and more
QUEER NETWORKS: RAY JOHNSON'S CORRESPONDENCE ART
short bluesky summary: ⌘ Book-length effort to place Johnson's postal
CAREFUL (1992) ★
This was the first Maddin film to come on my radar—I
I LOVE BOOSTERS (2026) ★
Boots Riley is both an impossibly imaginative artist and a traditional red-
![06.16.26 [3]](https://storage.ghost.io/c/c3/e3/c3e3b2f5-b356-4de3-b02b-81aa993a305f/content/images/2026/07/061626-3.png)
06.16.26 [3]
made in Fargo with papers sourced from SEER
available for third-party
![06.16.16 [2]](https://storage.ghost.io/c/c3/e3/c3e3b2f5-b356-4de3-b02b-81aa993a305f/content/images/2026/07/061626-2-1.png)
06.16.16 [2]
made in Fargo with papers sourced from SEER
available for third-party
![06.16.26 [1]](https://storage.ghost.io/c/c3/e3/c3e3b2f5-b356-4de3-b02b-81aa993a305f/content/images/2026/06/061626-1.png)
06.16.26 [1]
made in Fargo with papers sourced from SEER
available for third-party
06.15.26
available for third-party creative remixing under the terms of this license
notebook from may
Notes on anarchist barbarians, prehistoric earthworks, the originators of the alt-right, "diasporic intimacy," the "post-social media" era, and more
BACKROOMS (2026)
I once saw someone crack a joke on social media about A24-
SÁTÁNTANGÓ (1994) ★
As unsentimental a view of hardworking provincial people as you'll