wednesday investigations Wednesday Investigations [2:3]: As close to a gift guide as I may ever write On the end of Web 2.0, and some 2022 releases from Nonmachinable
wednesday investigations Wednesday Investigations [2:2]: Human action and the ending of things On Everest Pipkin and the "World Ending Game"
zines DISREPELLANTS #1 Published 2022. An anarchic ramble through my paper stash, an oversaturated Frankenstein&
wednesday investigations Wednesday Investigation 15: The "post-post apocalypse" On "societies functioning after ruin," Twine texts, queer RPGs, and teaching about utopia in 2020
wednesday investigations Wednesday Investigation 14: The Global Consciousness Project On random event generators, "coherent consciousness," and a paranormal research lab run out of Princeton
wednesday investigations Wednesday Investigation 13: Beth Anderson, Lily Greenham, a. rawlings: intermedia poetic production On the intermedia poetic practice of three women--Beth Anderson, Lily Greenham, and a rawlings
wednesday investigations Wednesday Investigation 12: Hassan Fathy and the architecture of social relations On the Egyptian urban planner Hassan Fathy, Martin Luther King Jr.'s "Resurrection City," and Dan Taeyoung's vision of an architecture of social relation
wednesday investigations Wednesday Investigation 11: Other people's newsletters, or: communist desire in the age of COVID-19 On the dearly departed "blogosphere," other people's newsletters, and the poet Anne Boyer's COVID-19 writings
wednesday investigations Wednesday Investigation Intermission: An interlude, and an update On Bernadette Mayer's "Memory"
wednesday investigations Wednesday Investigation 10: Gerhard Richter [Part II], Hanne Darboven, and information as art On cyberpunk aesthetics, Gerhard Richter, Hanne Darboven, and the 500 books written by an eighteenth century German political prisoner
wednesday investigations Wednesday Investigation 09: Gerhard Richter, Andrea Fraser, and Capitalist Realism On the status of painting under capitalism, Andrea Fraser's fake tour of the Philadelphia Museum of Art, and how "scientific philanthropists" hobbled the welfare state at the turn of the twentieth century